Interview MIKHA M.
Date NOV 2021
NANA AFRIYIE
Hailing from Ghana, West Africa — human, photographer, and strategic designer Nana on breaking the mould of expectations, and on becoming a child through photography.
Ghana © Virgyl Sowah
Berlin © Mateo Krössler
LFV: Where did you grow up and what was that context like?
N: Like most African families, I grew up in one where the number of qualifications and job titles was the measure of success. I was not sure what I wanted to be except what others expected of me. My life seemed planned with few options between an economist, a lawyer, or a doctor. This perspective influenced most of my early career choices because I could never imagine myself in another career path. Life was static and never about growth or change. I was indirectly compared to family members who seemed successful. This fuelled a need to prove myself at an early age and to create my own opportunities.
What made you decide to move to Berlin?
N: I took a leap of faith. At some point in time, I got frustrated about how mundane work had become in Ghana. I didn’t move because I was in search of a better life. My life in Ghana was fairly comfortable. I moved because I was curious and that curiosity has influenced most of my life choices.
What were the challenges, and cultural influences you have experienced?
N: I feel in love with the order and structure of Germany. I liked the fact that everything works once you follow the rules. I also found quickly that Germans like to mind their business - maybe too much and building relationships has been one of my biggest struggles. It takes time and coming from a culture that is built on community and less on independence, I still struggle with this notion.
© Nana Afriyie
Besides your profession, I know that you are also a photographer – what was your first encounter with art, and how did you develop an interest in photography?
N: I developed an interest in photography out of curiosity. I was an economics major who spent too much time in the visual arts class. I was fascinated with the idea of ‘creating’ and finding art gave me the freedom to do this. I like that photography makes me fail to keep sight of time - I become a child.
© Nana Afriyie
How does living abroad influence your work and the way you see the world through your lens?
N: Living abroad has helped me adapt to a new way of thinking. Back home, I had commercialised my business and that killed the passion. When I moved abroad, I decided to pursue photography as a hobby and being in a new environment was a breath of fresh air. New locations, people and a wealth of opportunities to keep being that little child.
© Nana Afriyie
© Nana Afriyie
How would you visualize your nice memories of Ghana?
N: I like to believe the people I’ve met and grown up with shaped who I am today. I cherish the memories by keeping to my style of photography. This is what people back home appreciated about my work and I want to stay consistent.
© Nana Afriyie
What gives you a deep sense of belonging?
N: Appreciation gives me a sense of belonging but I also like being listened to. It gives me a sense of value!
What does home mean to you?
N: Wow, Mikha. I just realized I don’t know what home means to me. I’ve built a life around my career and I'm still searching for my sanctuary.
In closing, can you tell us a mantra in your language that sparks your aspirations?
Apart from my name - “Afriyie” which translates - coming from somewhere pleasant, my mantra is a quote from Archimidies which says “Give me a place to stand and I will move the world”. For me, it means creating a place to stand for myself, but also for others.
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